Do not google image search her unless you wish to end up on some sort of a register.

Can some kind soul out there in the great IsAC community help a confused old git to get a grip on a weird aspect of 21st century manners and mores?

It’s the fault of ‘The Crown’ actress Emma Corrin, who appears to have some ‘gender’ issues. Emma has courageously come out to tell the world that she’s *gasp!* on ‘a journey with a lot of twists and turns’, but that she’s ’embracing it’.

She’s *wow!* changed her personal pronouns to ‘she/they’ (I know), and shared her ‘intimate’ experience of buying her first breast binder on Instagram, as you do.
So here’s where my confusion comes in.

Why does a young woman want to be ‘pronouned’ as ‘she’, yet flatten her breasts to look like a young lad? Is she wanting to identify as female, male, or as something else along the sliding scale of 50, 70 or 100 genders?

Answers to IsAC please (no answers please we don’t care or even know who she is), always assuming that you give a flying fuck about the ‘oh look at me’ antics of yet another self-absorbed, narcissisitic sleb.

Oh and judging by the photographs, she’s wasted her cash on the breast binder…

https://www.dailymail.co.uk/tvshowbiz/article-9758967/Emma-Corrin-recalls-buying-binder-details-intimate-journey.html

Nominated by – Ron Knee

“Hi guys. Dave here. Today I´m going to show you how to make a fantastic mashed potato and beef pie. If you like it, don´t forget to press the thumbs up button and subscribe to my videos. My specialties are potatoes and beef pies. Yummy. Yummy. Have a nice day guys. Oh and don´t forget to look out for my next series in which I show you how to mix potatoes and ground beef in incredible mouth- watering dishes that will blow your socks off! Enjoy! Dave.”

Fuck off Dave and all the YouTube prick so-called cooks. Watching you puts me off food and makes me think the school dinners I got 50 years ago at school in Glasgow – flaccid boiled cabbage, grey mince containing mouse droppings and peas made from sheepshit – were great.

Nominated by: Mr Polly

Really she should just sponsor this site.

Hands up if you think that Flabbott the Hutt is, shall we say, a couple of aces short of a full deck. Mmm… that’s all followers of IsAC then.
Things just go from bad to worse for poor old Flabbott though. She’s starting to make ‘Sleepy Joe’ sound intelligent, and that takes serious talent.
Flabbott is a fucking idiot. Have a little listen to her latest statement on Labour policies.

https://www.youtube.com/watch?v=Dx7lDWgwpOE

(it’s a short clip)

I rest my case, ladies and gentlemen (and anything in between) of the jury.

Nominated by – Ron Knee

An off-the-scale global power cunting please for the BBC world correspondent, Lyse Doucet.

I’d just came in from an early day shift, tired and crabbit, turned on the idiot’s lantern and, after switching over from very briefly watching the tennis, was met with this indecipherable, garbled audiovisual shitfest from some French Canadian nail reporting on the (British) news from fucking Afghanistan. Fuck me! Ms Doucet’s (no surprises she isn’t married — has a face like a fucking welder’s bench) voice can only be described as a cross between a young bleating sheep and a robotic fucking rain man. If I could’ve reached into the the screen, I would’ve, and slapped the bitch with great force. A no talent empty vessel if ever there was one. Get to fuck, Lyse fucking Doucet!

https://www.youtube.com/watch?v=nsQIkEhZN5A

(Here she explaining her cunting voice – NA)

Nominated by: Heather Mills’ stump

Written by the same person who did Guardians of the Galaxy fact fans.

Globe Theatre’s Romeo and Juliet (2021)

The Globe are staging Romeo and Juliet with a new twist this autumn, described as a “radical reinterpretation”. The Globe’s promotional literature will give you an idea of their approach – “Verona is sick.

Its structures broken and its citizens in a state of desperation. When a system favours the few, the many are left with nothing but unhealthy choices.” Yes, forget the New Oxford Shakespeare (which you might have read at school) this is the New Woke Shakespeare (which might be sponsored by BLM).

Romeo and Juliet are dark-keys in this version and its about teenage angst, suicide and the alleged failure of Society to accommodate young, specifically dark-key, people. In this version the Capulets and the Montagues are crazy drug overlords. There will be drugs and armed gang fights.

Behind the star struck lovers a screen will project facts and statistics about crime and mental health. In the words of one critic (Celia Walden in The Telegraph), this production reduces Shakespeare to “pshycobabble”.

Why does the Globe have to do this? They are meant to preserve Shakespeare’s heritage not traduce it.

This striving for contemporary relevance in order to reflect woke preoccupations lessens the relevance of Shakespeare. The great thing about good literature is that each generation can interpret it freely according to their own understanding.

The freedom to do this rests with the reader and does not have to be forced on us by woke directors using cheap gimmicks. You may chose to see Romeo and Juliet as a parable of modern social decay or you may chose to view it as a parable of love doomed by familial hostility.

The choice should be that of the reader. That’s what Shakespeare intended and to force a woke message into his work is the same as to say “I know better than the author and better than you….I’m smarter than Shakespeare and smarter than you”.

As the Bard himself put it – “cunting is such sweet sorrow”. Or perhaps more apt – ‘How sharper than a serpent’s tooth it is to have a thankless child!’

https://www.shakespearesglobe.com/whats-on/romeo-and-juliet-2021/?gclid=CjwKCAjw_o-HBhAsEiwANqYhp-riB-3fesL9REsCMDuxM_m07htYS_fixv19b4X7SVSnDB5n_9WoyhoCyCgQAvD_BwE

Nominated by – Marvellous Mechanical Cunting Machine