There is currently a racial genocide being waged in arts and culture and Western classical music is in the forefront.
The first victim was Ludwig Van Beethoven. I’m sure you were all unaware that he was black? It’s almost a certainty according to many woke music “experts”. Here is the evidence –
1. An acquaintance of the composer described his skin as “brown-black”. Probably because he was viewing him in a dark room.
2. His mother was allegedly rogered by a Moorish servant. There is zero evidence for this fantasy.
3. Cadences in his music are allegedly derived from African rhythms. I personally doubt this and have heard no bongo drums in his symphonies.
4. His music represents white supremacy so to deny Beethoven’s blackness is to say that black people are incapable of genius and is therefore racist. A deductive species of reasoning that O’Brien in 1984 would have been proud of.
The next victim of the woke assault on classical music is traditional musical notation. Did you know that this mathematically beautiful system is inherently racist and was created for the sole purpose of racially suppressing dark-keys? Let me explain –
1. Mastering musical notation requires the application of intelligence and discipline. Dark-keys lack this. Ergo, it discriminates against them.
2. Africa has no system of musical notation. Music there is spontaneous and remembered. Ergo, musical notation discriminates against them.
3. Musical notation is closely allied to mathematics. Dark-keys are not good at maths. Ergo, it discriminates against them.
The next and most recent victim is the English Touring Opera, which has been subjected to a racially motivated bloodbath at the hands of it’s conductor. James Conway has fired 14 of his musicians for the crime of being white. Conway said he wants to make the orchestra more “ethnically diverse”. No doubt he will be renaming the English Touring Opera the African Bongo-Bongo Rasta Orchestra. Clearly the name “English” is racist.
An unmusical pile of cunt.
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Nominated by: MMCM
Additional Supporting link from Komodo
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And Supported by Cunty Gordon
Good nom, I’m in total agreement with it, despite not having a scooby about musical notation, it’s way too hard to learn and was that the point back in the 14th century? Why make it so complicated as to which notes to play?
Many great musicians can’t read music notation. The Beatles couldn’t. Vangelis can’t read notation and he’s amazing. James Brown couldn’t but he’d work out all the parts and fine you $7 if you hit a bum note on stage.
Movie music composer Danny Elfman can’t read notation and he’s won many awards. Ray Charles was a genius and read music via braille, Stevie Wonder didn’t even use braille. Andrea Bocelli. Prince was a genius and could play at least 27 instruments and he never wrote anything down. Lionel Bart who composed musicals couldn’t read notation and Oliver! is amazing.
Jazz pianist Dave Brubeck (“Take Five”) just played without reading or writing.
I mentioned Danny Elfman, but there is another movie music legend who can’t read. I’ll look into that.