Another packed out stadium C.A.

We all know why women don’t make the same as men when it comes to football. Well, those with at least a double digit IQ do.

The sport doesn’t generate enough income of its own to support such libtarded, unicorn fantasies. Women’s football is almost entirely funded by stealing from the income generated by the men’s game. If, for example, Chelsea decided to make the women’s team pay for itself (police, security, office staff, chefs, doctors, physios, flights, programmes, buses, utility bills including stadium power, land rental, dil does, sports equipment, training pitches, youth academy, players and coaches salaries etc etc), they’d be fucking bankrupt within weeks.

But one digresses. We’ve done this to death and I’m coming at this from a different angle now.

I now agree with these harridans.

You see, men’s premier league players and pundits have spent the last few years since the summer of Floyd lecturing the country on woke causes. Even Wokegate (great guy, can take a bit of criticism without wanting to put some cunt in jail) was doing ads with his team about sexism, evil men and the wonderful wimminz game being equal.

Then surely he and his band of men would be fine with sharing their salaries (including club salaries) 50/50 with a lady player/coach?

Surely they’re not against equality of pay among the ‘genders’? Their response to such a suggestion would be interesting.

If they are against it, then shame on them, I say.

Put your money where your mouths are lads. Including pundits like Linekunt by the way. Go on, you’ve earned this chaps.

Bbc news

Nominated by Cuntybollocks.

There is a video going about with the USA women’s team captain mouthing off at the start of a game against Wrexham, men obviously, saying how they were going to win. Final score USA w 0 Wrexham m 12. worth a watch C.A.

 
Now, I’m not going to bang on about how unfair it is for men to announce they are women, in order to compete against female athletes.

We’ve done it to death, and we all suspect that they do it because
A. They couldn’t win against a man, or
B. They just want to have a legitimate reason to be in the women’s changing rooms.

No, this cunting is because I want you to behold this vision of gorgeous femininity. Can you image the lengths “she’s” gone to, and all the painfully surgery and other procedures, to achieve this fragrant, delicate form?

Don’t hold back, Horn Section, but please make sure that your compliments (ahem) are suitable for such a fragile flowers ears.

Daily Fail

Nominated by Jeezum Priest, seconded by Miles Plastic.

Add to this if I may.

Something that Riley Gains was saying. She’s the real female swimmer up against ‘Lia’ Thomas in America.
She did actually tie with ‘her’ one time. But HE was given the trophy because it looked better.

Everyone agreed he should get the trophy.
But something else she said. ‘I had trained for 18 years for this.’ Whatever event she was in for.
So after all the hard work, all the training she looks over at her competitors…and there’s someone there…doesn’t look like a woman.

Reminds me of the guy who was in some Olympic race and he didn’t hear start ‘shot’. Just left there…after fours years of training and just left on the blocks.
Must be same feeling she had in her race.

De Santis keeps saying that he is going to ‘protect the integrity of women’s sport’.
Let us hope so.
But ‘the integrity of women’s sport’ is destroyed at the moment.

 
Snow Latina and the Seven Diverse Magical Beings

They say that you should never kick somebody when they’re down, but I’m prepared to make an exception when it comes to the Disney organisation and its cinematic output.

Having completely trashed ‘Star Wars’, ‘Willow’ and ‘Indiana Jones’, Disney now seems intent on destroying its own beloved legacy of animation with a series of woke live action remakes. So far this has yielded flop remakes of ‘Peter Pan’ and ‘The Little Mermaid’. Now Disney’s really going for it with a remake of one of its greatest classics, ‘Snow White and the Seven Dwarfs’.

Trouble is, it seems to me that there are a few things wrong with this remake, or ‘problematic’, to use one of those terms loved by woke types everywhere. Now take Snow White herself. She’s called that of course because her skin is ‘as white as snow’. Well fuck that; remember that this is a ‘progressive re-imagining’ for a ‘modern day audience’, so they’ve cast the Hispanic actress Rachel Zegler in the role. Off to a flying start then. What’s a bit of race-swapping here and there?

Then you’ve got her seven vertically challenged companions. Or rather, you haven’t, because that might re-inforce ‘negative stereotyping’. So any dwarfish actors struggling for work can do one, as we’ve now got a gender and ethnically diverse bunch of ‘magical companions’. I reckon the audience will piss themselves when they see this bunch if leaked on set photos are anything to go by.

Oh, and forget Snow White moving into the dwarfs’ home in the woods and taking care of them. Apparently she’s now a feminist who wants to ‘find herself’ as a woman and a leader. That kiss from Prince Charming while she sleeps is out too; it’s non-consensual. It couldn’t happen now anyway because again, it seems Prince Charming’s out on his arse as well, as the story now can’t depend on something as utterly sexist as a woman finding fulfillment in the love of a man.

Hands up if like me, you can’t wait for the film’s release next year. No, me neither actually. I really can’t see where Disney thinks this so-called ‘modern audience’ for its woke nonsense actually is. Has it learned so little from its recent debacles? Can it really not see that the vast majority of its potential audience wants entertainment, not a finger-wagging lecture premised on a woke agenda?

Go on then Disney, break a fucking leg. Break both while you’re on it, and your neck as well. Go woke go broke indeed, and the faster the better.

insider

Nominated by Ron Knee with a seconding by General Cunster below.

I would like to second this nomination.

As an American I grew up with Disney. Every Sunday night before Bonanza, Walt Disney’s The Wonderful Wold of Color was magical television. And like every other American family of the day, mine went on the typical Chevy Chase Family vacation of the day to both Disneyland and Walt Disney World.

And if Bambi traumatized my generation, Davy Crockett inspired us and Annette made us feel the first stirrings of manhood.

But today? What so many of us admired has become just the latest version of wokeist degeneracy. Like Transheuser Busch and Targay before them, Disney is plunging deep into the Bunghole of perversity.

The Little Schvarmaid…The Haunted Crackhouse and now…Blanca Nieves and the Seven Diversity Hires.

Walt was an American icon and a true patriot who embraced family values. It’s a shame to see what they have done to his vision of wholesome family entertainment.

NY post

 
Right, it’s high time Google Maps was cunted.

For years now it has been getting steadily worse for on-foot navigation, with it often forcing you to take the long way round or even sending you in the wrong direction entirely, and having a complete inability to navigate city centres.

Now, however, the little blue dot of doom barely even navigates at all – it randomly jumps around the supposed ‘route’ (and other parts of the map) then completely freezes, to the point where said route has to be continually refreshed in order to reset the problem. Google Maps, you are a planet sized cunt and I have no idea how you got so popular.

google

Nominated by opinionated cunt.

 
This may be a controversial cunting but i think it’s a long-held opinion of mine.

Horror films are cunts. They aren’t scary.
Most are laughable compared to the horror to be found in the real world.

I don’t understand the appeal of them. Slasher films sre populated by idiots you care nothing for. The gore fests ate silly and gratuitous, and you get much worse, real imagery in documentaries about medical procedures and trauma. Creature features are puppets with a bit of ketchup smeared on them or CGI patterns with a bad actor trying to react to them.

Suspense and that lingering chill are usually delivered far more adeptly by the psychological thriller with its slow build and more realistic characters.

Many of the ‘classic’ horror films of yesteryear look daft or are unmemorable. The Exorcist is the best example. Not a bad start, but by the time the pea soup is being shot out it really resembles a b-movie.

Modern horrors all use a very limited repetoire: weird kids, limbs with unnatural joints (dear God), the jump scare (usually no scarier than the flapping pigeons of John Glen’s Bond films), silly ‘diabolical’ screeching and the security cam/found footage gimmick. ‘Oh look it’s an unconvincing CGI spectre/creature/alien. Yes sorry my screams of terror just sound a lot like laughter. it’s really terrifying, honest’.

Return to Oz was more unsettling than most horror films of the past 50 years, and it was made for children.

Horror films. Largely shite.

Nominated by Cuntamus Prime.