For someone who loves ‘movies’ as much as I do, I seem to find a lot in the American variety that really pisses me off of late. I’ve been on here in the not-too-distant cunting worn-out dialogue of the ‘we’re running out of time!’ variety. I’ve cunted the tedious scenarios, of which there are many; hero walks away from huge explosion without looking back sort of thing, in slo-mo of course. Then there’s the persistent and wearisome use of product placement…
When watching a flick last night, I was reminded of how American film-makers have even managed to make a cliché from the use of props. A character had been out to get steak for dinner. She came back carrying the obligatory plain brown paper bag, with guess what sticking out the top? You got it, a fucking baguette.
Here are a few other worn-out prop clichés to back up my point;
*coffee and doughnuts; six steaming hot plastic cups and a box of doughnuts, carried into the office in one hand by a character determined to be friendly
*napkin; so that somebody can show how sick they are by coughing blood into it
*parked car; conveniently parked for a falling body to smash into
*mobile phone; works anywhere, except when it’s most needed to work
*photograph; of loved ones, propped up by serviceman, to show he’s for the chop
*cardboard box; pic of family sticking out, carried out of office by someone just fired
*helicopter and/or black SUV; crucial for CIA, NSA or the Feds to stage arrival
*breakfast; always cooked by wife but left by husband, who’s inevitably running late
*car keys; conveniently under visor for escaping hero (car then won’t start natch; ‘come on come ON!’, cliché dialogue supplement)
*file; for buzzard female lawyer to slam shut and say ‘we’re done here’ to cops
You can even have characters as cliché props. There’s the hero with the social outcast friend, the high school lead with the nerdy but supersmart sidekick…
Throw all these various knackered tropes into the mix, and it’s hard to disagree with Ricky Gervais’s assessment that Hollywood product these days is awful. It’s lazy, tired, unimaginative, dominated by prequels and sequels and superhero crap, not to mention being infected by incessant wokery.
So if you want to see a rinse-and-repeat bore, packed with clapped out dialogue and plot lines, and yes, even worn-out props, just take a trip to your nearest multiplex, and you’ll be amply rewarded by the ‘choice’ on offer. For myself, I think I might have to stick with the ‘Golden Age’ classics and works from Europe and Latin America from now on.
Nominated by Ron Knee.